Trinity of Sardines
Today however what is most significant of all that pervades
the infinite orders of magnitude is this: I have arranged before
me a plate upon which I have intentionally placed three sardines.
This particular phenomenological configuration describes for me
the essentials by which I am informed of Simplicity and Function
in the formatting of a virtually closed-system.
By the introduction (and potential implementation) of additional
coordinates (e.g., mustard, knife, napkin, fork), I have effectively
rendered Variation and Contingency into aforesaid complex.
The most notable instance of potential turbulence is immediate,
and empirically observed, via standard olfactorial apparati, as
a somewhat abrasive emanation affecting the otherwise impartial
arbitrations of aesthetic sensibility.
Atmospheric adjustments, however, initiated through precision
amalgamation and administration of specific aerosol fluorocarbon
compounds (viz., Potpourri, Tangy Citrus, and Exciting! New!
Evergreen), appear to have sufficiently ameliorated this particularly
entropic nuance.
Subjective considerations aside, I have nevertheless succeeded in
having manufactured before me the very fabric of a more or less
self-contained (though admittedly temporal) multiplex of cosmological
harmony.
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